Homecoming for Time Traveling Windows

Our 1912 Arts and Crafts bungalow has been home to eight families in its 110 years and I’ve made a point of connecting with someone from almost all of them. Seeing the house through the eyes and experiences of others has allowed my family to know this place in a unique way during our 30-plus years here, to appreciate the changes in life, community and in the fabric of the house itself over that century.

During these pandemic years I’ve been busy with a special project to connect past and present that’s both tangible and personal. This week it all came to fruition when modern-day craftsmen carefully reinstalled the three original stained-glass windows—now restored—that were removed from the house almost 50 years ago.

As a lover of old buildings and a person who appreciates homecomings, it was a take-your-breath-away moment when Carl put the last panel in place this week. Here, have a look:

Carl Klimt and the “golden spike” moment when the last wayward window was set into place, April 27, 2022.

Tracking down these three windows, understanding the circumstance of their removal and their subsequent travels, and getting them back in shape to be reunited with the house has been a story marked by chapters of kindness, generosity, good luck and persistence. At the heart of this labor of love, it’s been a story about putting pieces back together.

The setting

In late 1911 and early 1912, builder William B. Donahue completed a lone bungalow on NE 30th Avenue, the only house on the block at the time, located just a half block east from the end point of the Broadway Streetcar line, right next to the temporary “tract office” of the Alameda Land Company. Donahue knew the house would be a demonstration of sorts to show what he could build for potential homebuyers. So even though it was just a simple bungalow, he added some nice touches, including stained-glass and beveled-glass windows in all the right places inside and out.

Detail of the restored windows.

Donahue’s floorplan included a breakfast nook between the formal dining room and the kitchen, with full wainscot paneling and a plate rail. For this welcoming, family-friendly room he chose a bank of high window openings to install three rose-patterned stained-glass windows.

Which is where the windows presided as four families cycled through the house: wars, pandemics, business ventures, children, dogs, birthdays and deaths, leavetakings, joys and losses. All discussed and decided at the nook table under those three beautiful windows.

The removal

The family who lived here from 1961 to 1975 loved this house. And when it came time for them to leave, they wanted to bring a piece of it with them, a keepsake and reminder of all their good memories here. The daughters were fledging and they agreed to each take a window, a gift from their father, who removed the sash and replaced them with three plain sheets of glass. The stained-glass was removed from the old window frames and put into new oak frames for display. One went to Arizona. One went to Spokane, and one stayed with the parents in Milwaukie. The windows continued to bring the comfort of family memories from their old home. Time passed as four more families cycled through under the blank window-eyes of the breakfast nook. No one here knew anything different.

The discovery

As I researched the story of this house, I sought out the families who lived here and I even found a relative of builder William B. Donahue. Through oral history interviews and letters, I learned about the view from the porch across empty lots clear to the 33rd Street Woods. Brothers playing on the roof. The goat and wagon that came for a visit. The upright piano that lived in the front hall. The life-long memory from the little boy sprawled out on the floor of the nook reading books while colored light streamed in around him, filtered through those stained glass windows. So many stories.

In November 2004, we hosted the Mom of the house from the 1960s on an impromptu visit when she dropped by the street to say hello to her old neighbors who still lived two doors down. When she walked through the house, wistfully, she mentioned the stained glass windows in the nook.

Because we had been dreaming about finding the old columns that were torn out of the living room in the 1940s by an earlier family (which we later faithfully rebuilt based on those I found still in existence in a similar Donahue-built house a few blocks away), her mention of stained glass windows in the nook was a very timely little bolt of lightning. Earlier that year we had restored the original front porch, which had also been demolished in the 1940s (a tough decade for old houses).

A few weeks after her visit, a photo and brief note arrived in the mail showing the old window she still had hanging in her kitchen. We almost couldn’t believe that rose-patterned window was once here.

When this photo and note arrived in the mail from a former resident we were ecstatic, but we also wondered, “Wait, what? That window was here?”

Through conversation over the months and years that followed, it emerged that her daughters still had the other two which had become sentimental companions from their growing up years. I began to imagine bringing the windows back here where they started. That was 18 years ago.

The return

In the last several years, with the thoughtful help of her son (now grown and with a family of his own), and through persistent friendly stories from me about the home’s history and our careful work of putting the pieces back together, a pathway began to emerge: when the family reached that point we all eventually reach of readiness to simplify our lives and possessions, the windows would be welcomed back home. Just as the family took solace in bringing them away when they left, we would find solace in their return.

Back and forth correspondence, phone calls, soul searching, acceptance and finally, readiness. Two of the windows came first: one of the daughters had passed away and the other was ready to release her window with her sister’s. Then a year later, the Mom of the house, now in her mid 80s, was ready to give us the third one. The day we met with her to receive it felt like an adoption.

The recovery

By then, I had fortunately found Jakub Kucharczyk, the art glass master who runs The Glaziery based here in Northeast Portland. Jakub and his team are one of a handful of knowledgeable and capable artists and craftspeople nationally who know old glass like ours and more importantly have the expertise to restore it using old ways and original materials.

Resoldering one of the zinc channel borders. Zinc is more rigid than lead and perfect for art glass windows like these that need to stand up to wind, gravity and time. Photo courtesy of Jakub Kucharczyk, The Glaziery.

When Jakub examined our well-traveled windows he pointed out the hand-blown crackle glass from Germany that make up the tiles across the bottom, the subtle peach and rose colored Kokomo catspaw granite glass of the flower petals, the zinc channel borders that outline the shapes.

Most of the zinc joints were in pretty good shape but a few needed new flux and solder. One of the crackle glass panels needed to be replaced and Jakub had just the right old piece that looked like it came from the same batch. Even though a few pieces of the art glass were broken, we left them in favor of preserving the original materials, and Jakub made them as steady as could be. All the glass needed a good clean up, and all three panels were reputtied.

Removing the zinc border to replace one of the broken crackle glass panes. The blue masking material was placed over all the glass at the beginning of restoration as a protection.

Working with glass like this has become a lost art. 110 years ago, most cities had a competitive art glass workforce and marketplace. Today, Jakub and his team service an international marketplace looking to them to restore worn out windows and to build fine new art glass. This winter, he and his team removed the oak display frames built in the 1970s and made our panels ready for the next 100 years.

The new crackle glass panel is sized and inserted into the channel.

Meanwhile Stephen Colvin and Carl Klimt at The Sashwright Co. came out to measure the openings and teach us about window stops, reveals and hardware. Dale Farley at Wooddale Windows (also here in northeast Portland) took those dimensions and built new Douglas-fir sash for our old glass just the way the old-timers would, another lost art.

Back and forth we shuttled, dropping off the windows with Jakub for restoration, retrieving the new sash from Dale and delivering it back so Jakub could install the restored windows. Once we had them home, we matched the stain to the existing interior window trim in the nook and Marie painstakingly painted and stained them. Marie is very good at painstaking work.

Fast forward to this week. Carl and his crew returned for the install. I believe they were as excited as we were to make this reunion possible. Out came the empty-eyed single panes. And very carefully one at a time the old windows, newly sashed, were fit and snugged back into the openings they once knew.

The Sashwright Co. team prepares to remove the clear glass panes that were put in place when the original windows were removed in the 1970s.

I still can’t quite believe they’re back. Every time we pass by, we stand and admire how these windows re-dignify that space, how they bring even more color and life back into the room. It’s still the place you want to sit in the morning with a cup of tea to contemplate the day ahead, or for friendly conversation at dinner.

But these time traveling windows now-come-home have made this space something more, a kind of shrine to the house itself, its builder, the craftspeople who have helped repair and restore it, and more than a century of friends and family who have passed through.

Who built our houses? Check out these new builder biographies for your address

We’ve recently completed short biographies of six more builders responsible for many of our homes on Portland’s eastside and beyond. The section here on the blog called The Builders now has profiles of 18 builders responsible for thousands of homes, mostly built between 1910-1950.

Builders working on an eastside bungalow in the early 1900s. Courtesy of Oregon Historical Society, Negative 37092.

Through our research, we’ve been able to make contact with many of the builders’ families and have added photos and other biographical information that provide a glimpse of the builders’ lives. Included with each biography is a list of addresses of homes by each builder.

One common theme emerges when you read these: most of the builders were immigrants, many of them from Russia and from Scandanavia. All have interesting stories.

Recent additions include:

Judson Hubbell 1872-1954

Ernie Johnson & Nelson Anderson 1920-1924

Max Kaffesider 1873-1960

Emil G. Peterson 1882-1960

Max Shimshak 1897-1978

Adaptive reuse on NE 30th: A viable alternative to teardown

When the dumpsters and porta-potty arrived a few weeks ago out in front of the old house, we presumed the worst. We’d seen the 1921 Craftsman bungalow near NE 30th and Skidmore decline as bags of garbage piled up on the front porch, bushes grew up over the car in the driveway and the electricity was turned off.

This compact 1921 bungalow near NE 30th and Skidmore in Alameda is being revived from what looked like a sure path toward teardown. March 2, 2020.

Taken with its slow descent over the last couple of years, the recent signals seemed clear enough the property had changed hands and would be torn down to make way for another quickly-built three-story unit (or two) that maximized lot lines and financial returns. We’ve seen this story play out before, including for the old bungalow that used to stand right next door to this unlikely survivor.

But this story is headed in a different direction.

The 1,000-square-foot 1921 Alameda bungalow that looked like the next candidate for a teardown is now being revived, restored and repurposed by a nearby neighbor couple who couldn’t bear to see another teardown / big box happen and who wanted to make room for their extended family (they’re adding an addition to the back of the old bungalow to give the modern family a bit more space).

Harry Ford and Amy Garlock, who live in the house directly across the backyard lot line, watched back in 2016 as the former house kitty-corner across the backyard did get torn down and replaced by two three-story semi-attached boxes which sold for almost $1 million each. When it looked like the bungalow directly behind them was headed down the same path, they began to wonder if there was something they could do.

“We bought it partly so that there wouldn’t be another giant duplex in our backyard,” says Ford.

But Ford also explains the house—which will share a big now-open backyard with their own place on NE 29th—will help meet a very real contemporary need: a quality place to live for their aging-in-place parents.

It’s interesting to note that back in the day, a similar multi-generational family-as-neighbor arrangement was in place just around the corner with the family that once lived in the now-gone bungalow and their in-laws who lived right next door. Former residents of that house remembered dinners that went back and forth, the sharing of tools, supplies, grandparents helping with babysitting. It worked out great for everyone.

Today, Ford is looking forward to having his in-laws just across the backyard, and to interrupting the teardown trend by keeping—and adapting—the historic fabric of the neighborhood. He acknowledges that pretty much any other purchaser of the very run-down house would have razed, rebuilt and sold high to repay the construction loan, then moved on to the next project.

For his family though, the ability to acquire an existing older home at a reasonable price literally in their own backyard, combined with the ability to meet the families’ needs at the moment and for the foreseeable future, made this a reasonable thing to do. Ford and Garlock look at the investment in restoration as a good long-term proposition given the multiple types of “bottom lines” it helps them achieve: economics, quality of life, aesthetics and sustainability.

The origin of the house has an interesting story: when AH started exploring the home’s history this week, we determined that it’s a Sears Roebuck house, built in 1921 by builder Albert W. Horn. The floor plan is pure Sears Argyle, one of the company’s most successful kit homes, sold from 1917-1925. Here, take a look:

The Argyle page from a 1921 Sears Roebuck catalog. From 1908 through 1940, Sears sold more than 70,000 kit homes that were built in almost every major US city by homeowners, their friends and in some cases like this one, actual home builders.

 

1921 Sears Roebuck Argyle floor plan, from the catalog. A solid match with the NE 30th Avenue bungalow.

 

On a recent visit, the scope of the work necessary to bring back the 1921 bungalow was evident: Heating, plumbing, electrical, all interior walls, kitchen, bathroom, fireplace, chimney, exterior siding, finishes, window trim. The 100-year-old foundation and framing are solid. Everything else needs attention.

Standing in the kitchen looking toward the front door through the dining room and living room. There’s a bedroom in the front right, a bathroom down the hall and a bedroom in the back, just to the right in this picture. Turn 90 degrees to the right and there’s a stairway into the full basement. March 2, 2020.

“Sometimes, going down to the studs in an old house like this is just easier because you know exactly what you’re working with,” said Craig McNinch of McNinch Construction who is running the project utilizing drawings by Lynn Harritt. He also restored Ford and Garlock’s current bungalow on NE 29th. “This place has great bones,” says McNinch, gesturing to the full dimension 2 x 4 framing lumber, the solid oak floors and the foundation.

From the dining room looking into the living room. A portal wall framed the opening between the two rooms and came down to meet the columns that are atop the built-in cabinets. Behind the sheets of pressboard material on the left is a fireplace. Just like the historic Argyle plans. March 2, 2020.

McNinch has worked on many restoration projects in the area and acknowledges this one is indeed a challenge. But he likes the vision of restoring what was once a new and exciting home for a young family, the backyard connection of the two houses and families, and the constant stream of positive comments he’s had from neighbors and passersby who are happily surprised with the work. During a recent afternoon, we heard McNinch and his crew loudly encouraged to “keep up the good work” by a passing driver calling from a rolled-down window.

Asbestos abatement contractors recently removed the asphalt shingles revealing the original brown cedar shingle siding. March 2020.

Ford and Garlock’s project to revive the old place reminds all of us that there are alternatives to demolition; that it’s ok to adapt something old to meet current needs; that the grace and history of an old place adds its own kind of meaning to family life.

Stay tuned for updates and more on Sears Roebuck homes.

Gone but not forgotten

It’s been gone since mid-October when the orange excavator took the house to the ground and dump trucks carted it away as debris, but the Kettleberg house that was demolished at Northeast 30th and Skidmore has not been forgotten.

George and Manila Kettleberg home, built 1921. 2933 NE Skidmore. From The Oregonian, September 11, 1921.

George and Manila Kettleberg home, built 1921. 2933 NE Skidmore. From The Oregonian, September 11, 1921. The Kettlebergs lived there for almost 50 years; their daughter Dorothy and husband Walter lived next door.

Neighbors still shake their heads as they look at the hole in the ground and remember the 1921 Craftsman bungalow that stood on that spot for 95 years. We’ve talked to a few who still can’t believe two 3,000-square-foot houses will be built in its place. Some neighbors still refer to the corner as Willis and June’s, even though Willis moved away when June passed on a few years back and no one has heard from him since.

According to the City of Portland, the house’s address 2933 no longer exists. A search of portlandmaps.com shows the planned locations and permitting for the two new buildings that will occupy that lot, now known as 2945 NE Skidmore and 4305 NE 30th. We tried to have a look online at the historic plumbing permit for 2933 the other day, but it’s gone now too.

The house is still alive in memory, though. Last week we received a note from George and Manila Kettleberg’s great grandson Robert who explained to us that his grandmother Dorothy and her sister Nancy grew up in that house. George and Manila bought the house brand new in 1921, and raised their girls there.

In the early 1950s daughter Dorothy and her husband Walter moved in two doors down. And then a few years later, Dorothy and Walter moved in right next door to her parents George and Manila. That end of the block wasn’t like a family, they were family. Life flowed back and forth between those three bungalows.

Robert remembers his dad saying it worked out pretty good for him because he could always run between the houses to see who was serving the best dinner. Many footprints left back and forth between those houses.

Construction in the big hole hasn’t started yet, but we’re guessing by spring there will be plenty of activity. Two new big places will go up crowding the lot. Then it will be up to us neighbors to keep the stories of Kettleberg corner alive: almost 50 years of one family’s life.

That’s the thing about old houses. They remind us of who we’ve been; they keep us connected to places our families have known intimately; they contain the passing of time.

Slowing down time that has already passed

It’s been quiet here on the blog lately because we’ve been busy working on several studies of homes and businesses in northeast Portland. Each time we do a study—which involves becoming immersed in documents, maps, photos, archives, and family stories—we focus in on connecting past and present, which is what this work is all about.

These connections allow generations of owners—the people who have lived in, shaped and loved these buildings—to listen to each other, to learn, and sometimes to nod their heads in common understanding and amazement. What an honor and privilege to be able to help make those connections, to learn those stories and to understand and visualize the passage of time. And each time we take on a project, we learn more about the neighborhood as a whole.

As we’ve zeroed in on this work in the last month (to the exclusion of the blog), it has occurred to us what we’re really doing is taking a hold of time that has already passed and trying to slow it down long enough to look around inside for understanding and for answers. Frequently, that’s what we get. Sometimes we just get more questions.

With the completion of this latest handful of studies, we’re going to have some room to focus on some new (old) projects and studies. Interested?

Meanwhile here on the blog, stay tuned for something new soon about Mom and Pop grocery stores

Kitchen Archaeology | The California Cooler

Our neighbors Rob and Marti are carefully and heroically remodeling their 1923 bungalow kitchen. They’re doing a great job. We’ve been following their progress and in a recent driveway conversation, Rob held up an old house part (the square frame in the photo below) and asked a kitchen archaeology question we thought other old house readers might be interested in reading about too. Recognize this?

DSCN7476

It’s the face of a vent removed from an outside kitchen wall, one of two that were part of an early and natural cooling method known as a “California Cooler.” In a time before refrigeration—and borne out of the bungalow ethic of keeping things simple and natural—these indoor cabinets were the next best thing and were built into many eastside kitchens and homes.

Here’s another look, showing the frame in the original clapboard siding, which was shingled over in the 1950s (thanks to Rob Donnelly for the photos):

DSCN7475

Here’s how they worked: the vents were stacked vertically one at the bottom of the cabinet and one near the top, and always placed on an outside wall. Maybe you have seen the exterior evidence: two small frames with screen or mesh on an outside kitchen wall. Here’s what they looked like from the inside. The old cupboard has been removed showing just the vents.

DSCN5981

Inside the kitchen, the vents led into a cabinet with shelves, which were often just slats with space between to promote ventilation. The cabinet or cupboard had a door on the front, just like any other cupboard in the kitchen.

But the physics of convection made this cupboard different: warm air would escape through the top vent, which acted like a chimney, and cooler air was drawn in through the bottom vent. The result was a measurably cooler space that kept foods fresher longer, and promoted cooling for just-baked items.

The extremes of summer and of winter obviously weren’t optimal (“honey, why is it so cold in the kitchen?”). But they did work, and were omnipresent in the older homes we love. Today, some kitchen designers and builders interested in sustainability and energy efficiency are even recreating this old technology for the same reasons they were first installed a century ago.

Now that you know what to look for, keep your eyes peeled when you are out and about in the neighborhood for twin openings on an exterior kitchen wall, and chances are you are seeing evidence of a California cooler. Do you have one? Send us a photo.

Mark your calendar: Alameda History at the Mission Theater and Pub, Monday, January 13

After a pause in our ongoing quest and passion for Alameda history, we’re back on track in the New Year with a free program as part of the Oregon Encyclopedia History Night series, at 7:00 p.m., Monday, January 13 at the Mission Theater in Northwest Portland. Consider yourself invited.

In pictures and words, we’ll track the early development of Northeast Portland’s Alameda neighborhood, profile key builders and building styles, and share a social history of the homes, families and changing generations of this 100-plus-year-old neighborhood.

Come experience how these layers of local history add up to a deeper understanding of the neighborhood today. This updated presentation will touch on Alameda School, the Pearson Ponderosa Pine, Wilshire Park, the Subud Center/Alameda Park Community Church, the Broadway Streetcar and other institutions and businesses that have defined Alameda life over the years.

It’s free. The beer is good. You might see your neighbors and other history-inclined folks.

7:00 pm, Monday, January 13 at the Mission Theater, 1624 NW Glisan, Portland.

Old House History in The News

We see this morning that a recent interview with The Oregonian has turned into a very nice story, which ran in the Thursday, March 26th edition of the paper. Feature writer Larry Bingham wrote the piece out of an interest in old house history, and in keeping with the paper’s focus on Oregon history during this susquicentennial year. You can find the story here at this link. Thanks Larry!

Stories of Success by Homebuilders

I’ve been going through early issues of The Oregonian in search of stories and photos about homes and neighborhoods. It’s been a fascinating journey marked with some real jackpots of information about Alameda, Olmsted Park and Beaumont. Photos, catchy advertisements, stories about who was building what, and where. The Portland of 1909-1915 feels definitely more boastful, a little rowdier than today, with the challenge of meeting day-to-day necessities a little closer to the top.

When you get to reading these papers, you can just feel time flowing through your hands. Each news story or photo is a small thread in the fabric of time. Important at that moment, but entirely forgotten or unobserved today. 

I happened on a great series of stories that grew out of the boastfulness of new neighborhood development. The Portland Realty Board got together with The Oregonian to launch and run a series of columns that invited new Portland homeowners to tell their own stories about how they built (and financed) their new houses. Their modest houses, in most cases. This was not a focus on the big Craftsman or Dutch colonials being built (they had their own limelight on the pages of the Sunday Oregonian). These were grass roots stories about saving money under your mattress, living out of the tent on your new lot, and building your bungalow with your own two hands. Inspiring, really.

Called Stories of Success by Homebuilders, this column was the outgrowth of a weekly contest for the best story. Cash prizes were given, and winning essays were printed in the Sunday Oregonian. The unstated purpose was to help motivate first-time home buyers. In setting up the first essay, the Portland Realty Board wrote:

It was a difficult problem for the committee on awards to decide which of the number were the three best stories, as each contained features deemed of great value in emphasizing the purposes for which the contest is being held. The spirit which underlies the authorship of the essays is wholesome, cheery and inspiring.

So I’m going to pick out of a few of the best and share them, along with a translation of the address for the house today, in case you want to ride by on your bike for an informed look (and a tip of the hat to the first homeowners who made it happen).

Here’s Ed Mack’s submission from April 7, 1912. The home he and his wife built is at 3122 NE 47th Avenue. It appears there have been some significant changes made to the house since the Macks knew it.

 680 East Fortyseventh Street, North is today's 3122 NE 47th Avenue.

Of Purple Boxes

A great observation about old houses and their sometimes brash new neighbors. This column appeared in The Sunday Oregonian on March 16, 2008.

 purple-box-column-3-16-08.jpg

One thoughtful reader, responding to Emma’s column, writes:

Don’t you wonder what story the purple box is telling us? If the older homes were about family, and a love of making things that are handsomely decorated, or about sitting in the sun on our porches, maybe the purple box is about amnesia, or something like it.

What do you think the purple box is telling us?

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