Our presentation this weekend at the Architectural Heritage Center turned up some helpful leads into Alameda stories.  We were there to offer a presentation about the development and early life of the neighborhood and were pleased to see some familiar faces, including Maryon Kinsey, who is featured here on the blog. Afterwards, several neighbors approached us to share suggestions and ideas for further research. Thanks!

Our sister Bonnie Hull, the talented Salem artist and art blogger (be sure to visit her blog, which often features detailed profiles of local artists, a feature she calls “Living the Creative Life“) was in attendance and provides a very nice glimpse into our AHC program. Check out her reporting here. Thanks Bon.

We’ll likely be offering the program again at AHC—perhaps in the summer or fall—and  who knows maybe other places too…open to suggestions or invites.

From time to time we like to plumb the depths of memory for stories about neighborhood businesses. This one is reaching a ways back, but we’re looking for a little help with any personal memories about this store, which operated out of the bustling commercial corner of NE 30th and Killingsworth.

The Davis Dairy Store, located at 5513 NE 30th, was operated by three generations of women from the Davis family, who also built and lived in the home at 2427 NE Dunckley here in the Alameda Park addition. A recent visitor to the blog—Teresa Roth—sent us some shards of memory from her mother Lucille, and some photographs to ponder. Here is Lucille’s mother Irene Davis, the matriarch of the store, standing near the open door in 1938, and the same spot today:

Left, Irene Davis at the Davis Dairy Store, 5513 NE 30th Ave., 1938. Right, the same doorway today. Historic photo courtesy of the Davis Family and Teresa Roth.

 

Irene’s daughter Lucille (far left) and cousin Isabel Buckendorf sitting out front in 1938. Note the words “bicycle shop” on the window behind them to the left, and the reflection of the power pole, which hasn’t moved much in 70 years. Historic photo courtesy of the Davis Family and Teresa Roth.

Irene and her husband Ernest built the Dunckley home and likely the business as well, though he was a machinist and she a stenographic secretary. The couple divorced in the mid 1920s. For as long as the couple’s daughter Lucille can remember, the store was just part of the family. Lucille, now in her mid 80s, and her daughter Teresa stroll through the neighborhood from time to time when they are in town together, remembering friends, cousins and happy moments.

After the divorce in the mid 1920s, Irene ran the store, with Lucille’s help during the summer, and likely with the help of her sister Mae, a piano teacher. Irene and Mae’s mother Martha LeFabre lived with them as well in the Dunckley Street house: three generations running the house and the business.

No one around today remembers exactly when the store opened or closed, but we do know it would have been popular with kids. Here’s an advertisement from 1938.

Flyer from Davis Dairy Store, 1938. Courtesy of the Davis Family and Teresa Roth.

The corner of NE 30th and Killingsworth has experienced a recent renaissance that echoes the vitality of the intersection in the 1920s and 1930s. Today, the area is officially known as the Concordia Neighborhood, though in those days it was known to both residents and customers as Irvington Park. Just for context, here’s a shot of the overall commercial building today, which features some very tasty restaurants, including DOC, which we recommend.

Any memories to share about the Davis Dairy Store or this bright and busy neighborhood corner?

According to the 1938 Polk City Directory, joining the Davis Dairy Store at 30th and Killingsworth were the following businesses:

5425 NE 30th             Serafino Boitano Shoe Repair

5425 NE 30th             Parrot Cleaners

5430 NE 30th              Jason Frost Grocer | Theo Larson Meats

5433 NE 30th             Anderson’s Food Market

5438 NE 30th              30th Avenue Pharmacy and Post Office

5501 NE 30th             The Ark Beer Parlor

5507 NE 30th             Irvington Park Variety Store (now Blackbird Tatoo)

5509 NE 30th             30th Avenue Bicycle and Hardware

5515-19 NE 30th        Twin Pines Barber and Beauty Shop

We’ve just heard from our friends at the Architectural Heritage Center that there are still some seats left for the Saturday, January 23rd presentation about Alameda History. We’ll be taking a trip back through time to look at how the neighborhood developed, some of the key builders, and stories from across the years that help characterize the life and times of the Alameda Park neighborhood. The program runs from 10:00-11:30 a.m. at the Architectural Heritage Center, 701 S.E. Grand Ave., Portland.

Click here for more information about registration.

There are always at least two sides to any story (usually a lot more), and we’ve recently found a description of the events surrounding the neighborhood opposition to the Alameda Park Community Church that sheds further light on exactly what happened around here in the fall of 1921.

Let us whet your appetite with this clip, from the April 1923 edition of The American Missionary, published by the Congregational Home Missionary Society:

To help put this in context, if you haven’t already read it, we’d recommend reading the page on the church (today’s Subud Center) which you can find by clicking here. Be sure to have a good look at the photos too.

In order to appreciate what The Rev. Allingham is about to tell us, you have to know that some in the Alameda Park neighborhood were up in arms about the construction of the church at NE 30th and Mason. Several protests were organized, a petition got up, and a fair amount of consternation resulted, including relocation of a construction site. The story hits close to home for us because the leading petitioners were the folks who lived in our house for 50 years, and the original intended construction site are the two lots immediately north of us.

Let’s catch up with The Rev. Allingham: 

The turning of the other cheek. He continues:

The reference to the children from the homes that objected to the church: that’s probably Bruce and Jean Morrison who lived here and were probably some of those kids who snuck out the back door of home to check out Sunday mornings at the Bungalow Church. Hmm. And the church seems to have served the community up into the 1950s and early 1960s. We’ll continue looking for additional stories and articles that chronicle the building’s life and times. In the meantime, with The Rev. Allingham’s words in our minds, stroll past the building at Regents and Mason and listen for the echoes of all those children.

If you’re a long-time reader of the blog, you’ll recall our piece on the controversy about construction of the Alameda Park Community Church (click here for that page). As a reminder, in the Fall of 1920, neighbors were not happy about plans to build the church on two lots at the southwest corner of 30th Avenue and Mason. The former owners of our house—Walter and Edith Morrison—led a campaign to oppose the building, and then to relocate the planned construction one block east to the island at the corner of Mason and Regents where it was ultimately built (but not before trying unsuccessfully to kick it out of the neigborhood altogether) .

While researching recently through building permits and related documents filed on microfiche, we came across the original drawings for the building, all filed for construction at 30th Avenue and Mason. Take a look:

Detail from elevation drawings filed with construction documents for the city’s permit process. Note that the building was designed by architect Edward G. Larson, working for Redimade Building Company (which was based in Portland).

The church building, now known as the Subud Center, is still going strong and a neat place for meetings, events and large family gatherings.

We continue to keep any ear out for stories, memories and photos of this building. Have something you can share?

We’ve known there are many other Portland homes and buildings yet to be discovered that were built by Harry Phillips, in addition to the 19 we’ve found so far here in Alameda Park. Thanks to some attentive visitors to the blog, we have an important addition to make to the list.

Prolific builder Harry Phillips built this English Cottage style Ladd’s Addition home in 1926 for his parents Henry and Louise Phillips. Photo courtesy of Tami and Brian Clare. 

The Henry and Louise Phillips home—located at 2108 SE Cypress—is a special English cottage that Harry built for his parents in 1926. Current residents of the home—Tami and Brian Clare—found our biography of Harry (click here to read the Phillips bio), which triggered a connection to their home. Tami and Brian had seen Harry’s name in the documentation about the house that was submitted as part of the Ladd’s Addition National Historic District nomination package. After visiting the blog, they put two and two together, and sent me a quick e-mail sharing their observation.

According to the nomination: “The house was built by building contractor Harry Phillips for Henry Phillips, possibly a relative, a machinist for Southern Pacific Company, who lived in the house with his wife, Louise.”

Brian and Tami wrote us with the following thoughts about the house:

“We love the style of our home, and so it was very exciting to find your website and know that there are other Harry Phillips homes in Portland!”

They were as excited to learn more about Harry as we were to find this special home he built for his folks. They also shared a photo of a carved ornamental beam, similar to beams found in other Phillips-built homes. Harry’s son Jerry attributes the design of the beam to architect George M. Wolff, who is believed to have designed many of Phillips’ homes.

Detail of a hand-carved beam, Henry and Louise Phillips Home. Photo courtesy of Tami and Brian Clare

Thanks to Tami and Brian for making this connection. We’ve recently put them in touch with Jerry to tell him about his grandparents’ home and to ask a few questions of their own.

In the process of perusing building permits for other research, we’ve come across another Phillips home to add to the list: 3035 NE 23rd.

Next to builder Frank Read, who built at least 20 homes in Alameda, Phillips was the busiest builder in this neighborhood.

Word has arrived from Oregon’s State Historic Preservation Office (SHPO) that a prominent home in Alameda has been placed on the National Register of Historic Places: the Edward and Bertha Keller House, located at 3028 NE Alameda Street.

The Edward and Bertha Keller House, 3028 NE Alameda. Photo courtesy of Oregon SHPO.

Here’s the official word from SHPO, which was shared via the Oregon Preservation e-mail list:

Constructed in 1924, the Keller House is important as an example of the early works of master designer Elmer E. Feig and the English Cottage Revival style. Feig began his career in 1921 when he obtained a building contractor license while employed by the City of Portland Buildings Bureau as a plans examiner. Feig’s early work included a handful of homes, but he quickly transitioned to apartment buildings where he creatively merged a variety of European-revival styles such as Tudor, Spanish Colonial, Mediterranean, and California Mission. Among his commissions are 24 properties noted in the Portland Historic Resource Inventory as “having architectural merit” and the National Register-listed Spanish Colonial Revival-style Santa Barbara Apartments built in 1928.

SHPO has placed a copy of the nomination form on its website. Do take a look, (click here for a PDF of the application) which will give you appreciation both for the home, and the thoroughness of the application and review process.

This brings to four the total number of homes in the original Olmsted Park or Alameda Park plats that have made it onto the list. The other three are the Thomas J. Autzen house, located at 2425 NE Alameda; the Thomas Prince House, located at 2903 NE Alameda; and the Louis and Elizabeth Woerner House, located at 2815 NE Alameda.

Alameda School, 1923. Picture taken looking southeast from the corner of NE 27th and Fremont. OHS image OrHi 105623.

We received word last week from Portland Public Schools that they’re sharing an inventory of their many historic properties, including our favorite Alameda Elementary School, and nearby Beaumont Middle School.

You can find these reports and many others at this link, which is interestingly housed within the Office of School Modernization.

Looks like Alameda faired well in the analysis in terms of its historic integrity, but Beaumont–due to many alterations made over time–did not. Both buildings were designed by George Jones, the one-man Portland school architectural institution (actually two man institution, his father Thomas had also been architect for the Portland School District years earlier).

The good news for Alameda Elementary School is that it scores well as a candidate for listing on the National Register of Historic Places. Perhaps a small group of interested parents and historic building fans might be up to the task…? Count us in if we can find a quorum.

In the midst of the communication technology that has come to define our busy lives—mobile everything and 24/7 communication—we thought a little historical context might be of interest. During a recent session with The Oregonian microfilm, we came across this little nugget from January 11, 1911.

1911-Telephone-Service,-11-

From The Oregonian, January 11, 1911.

Just wanted to make sure you caught that: the Home Telephone & Telegraph Company, working at a very busy pace, installed 2,460 phones in calendar year 1910, bringing the total number of working phones in Portland to 12,254. Just for interest sake, Portland’s total population in 1911 was 212,290. Between 1910-1911, more than 13,000 building permits were issued in Portland, a record that made the City Building Department (formerly located in City Hall) a very busy place. Construction in Portland, and in our brand new neighborhoods here in the Northeast quarter of the city, was taking place at a pace which we can hardly imagine today.

In our 1912 bungalow, the first phone was hidden away in a box tucked into the wainscot in the breakfast nook. A later version had its very own table mounted to the wall in the hallway outside the master bedroom. Not sure when the “twisted pair” arrived here, but our hunch–based on what was a growing trend both in homebuilding and telephone business–is that we were wired from the beginning. What’s the history of the phone in your house?

At a time when we take wi-max, wi-fi, cell phones and the internet for granted, the notion of 12,254 working phones in Portland makes us want to slow down a bit, and wonder if people were actually better connected then.

11-7-Harry-Phillips

Harry Phillips, Alameda Builder, 1886-1935.

We’ve often walked the Alameda Ridge above and below Ridgewood and admired the work of Harry Phillips, a prolific builder and designer who shaped the western edge of the Alameda Park neighborhood. It’s been a pleasure to be able to visit with and interview his two sons–now in their 80s–to learn more about their father’s work and his too-short life. You might have read the profile we wrote about him in The Builders section. The quality of Harry Phillips’ work, and the striking sadness of his family story, have captured our imagination.

So it was particularly nice recently when Harry’s son Jerry sent along a portrait of his dad, taken in the 1920s. Seeing Harry Phillips helps us to imagine him and his family here in Alameda, and to honor his work. It’s too easy to forget the many lives who have shaped our homes and neighborhood in the last century. Here’s one person–thanks to his dedicated sons and stories passed across these many years–who is remembered.

We read the very nice story by Janet Goetze in the November issue of the Hollywood Star News, which arrived in our mailbox today. She wrote about our passion for seeking out the history of the neighborhood, and highlighted some of the stories you’ll find here. Thank you, Janet. (She didn’t mention this in the article, but she lives in house built by prolific Alameda builder Frank Read, who you can read more about by clicking here). Here are links to the topics she mentioned in the article:

You’ll find the information on Elwood Wiles here.

More about the Broadway Streetcar here.

A collection of stories about people who are living in the houses where they grew up is here.

The remarkable tale of the Pearson Ponderosa Pine is here.

Have a good poke around the blog: there’s lots to read and you’ll find topics not just about Alameda, but Beaumont-Wilshire, Rose City Park and Albina too. And if you’d like a little more on neighborhood history, come along to the program I’m doing at the Archtectural Heritage Center on the morning of Saturday, January 23rd.

Of course, I’m always on the lookout for an old photo, a mystery to solve or a neighborhood or old house story to listen to, so leave a comment here on the blog or drop me a note at doug@alamedahistory.org And if you’d like some help investigating the history of your own house, check out the research services and resources tab.

Thanks for dropping by.

It’s been quiet on the Alameda old house history blog for the last month or so, but time to get back into the swing of things as the kids return to school, and as the weather transitions to more research-friendly conditions like cloudy, cool and wet. Actually, I think this stretch from now through late October holds some of my favorite Oregon weather.

In addition to perking along with a few research projects this summer (but not much blogging), we’ve been working on a kitchen remodel in our almost-hundred-year-old house. We’ve tried to be faithful to the historic design concepts even though we are using standard current kitchen technology. We’ve been fortunate to have a great architect in Arciform and an excellent contractor in Joe Petrina and Petrina Construction. You can read more about our kitchen adventure here, and maybe share your own pearls of wisdom about surviving a kitchen remodel.

As we’ve worked through the remodel process, we’ve kept a keen eye for clues from the past, and we’ve found some interesting items…nothing earth shattering, but some quaint signs of the time. Thanks to some insulating material (as in crumpled up newspaper) we confirmed the long-held thought that a back porch extension was made to the house sometime in 1930.  Below is a clip about the Reo Convention coming to Portland, from the Sunday Oregonian on February 2, 1930.

 7-14-Exhibit-7

 

Here’s an interesting scoop about the world’s largest passenger plane — a 30-seat Fokker – coming to Portland. And below that, from January 26, 1930, a story about a record order expected for new Chevrolets to keep up with a booming demand for new cars. Apparently, the market had not yet found the bottom. Hmm.

7-14-Exhibit-3

Exhibit 8

 

But probably one of the most interesting finds during the remodel was the signed name of our original builder, William B. Donahue, who we have profiled here on the blog. We found this little gem buried deep inside a wall, signed in what looks like blue grease pencil or blue chalk on the back of a wainscot panel that faces our breakfast nook, on the other side of the kitchen wall. Check it out:

9-15-post-Donahue-Signature

Because we’ve found documents and letters sent by Donahue years after his construction endeavors, we think we can recognize the handwriting. If you look to the left of the crossbrace, you can see the “#1.” Could be that Donahue was sorting out the plywood he wanted for the wainscot, and this had a number 1 grade side (the other side). Not sure. But it sure was a treat to find.

When you are working on your renovations, be sure to tell the contractor and the crew that you are interested in old house archaeology. You might even ask them for their stories about the most unusual items they’ve ever found working on these time capsules we call our homes.

What have you found?

Interested in learning more about Alameda? I’m doing an education program for the Architectural Heritage Center, which has been rescheduled to Saturday, January 23rd from 10:00-11:30 in the Center’s auditorium on Southeast Grand Ave. It will be a good opportunity to have a closer look at the evolution of Alameda, and specifically at several of the prolific builders and their design styles that have shaped the neighborhood we know today. It’s also a great excuse to drop by and get to know the Architectural Heritage Center a little better. And you might even meet a neighbor or two!

You can find more information about the program, and a link to registration, at the AHC website: http://www.visitahc.org/content/upcoming-programs

Seeing as how the English Tudor Cottage stories and photos are among the most often viewed files here on the blog, I thought I would share an article and drawings that ran in The Oregonian homes section on December 20, 1925 (click on the image to enlarge). Interesting to note that plan sets like this were available in abundance. Every week, the newspaper focused on a different house style: the narrative describing each house could have been the same for every story, favoring words like roomy, inexpensive, tasteful, convenient. If you live in a Tudor, does this floor plan and design look familiar?

From The Oregonian, December 20, 1925

From The Oregonian, December 20, 1925

I’ve just finished a research project on a century-old house in the Boise neighborhood, an area known in earlier years as Albina. The house, on North Borthwick, was a rental for many years that held at least 17 different families and dozens of occupants of all ages. The research task was to track down all of the past residents and to learn something about their lives. What a fascinating pleasure it was to unearth the stories from newspaper clips, Polk directories and a handful of remaining public documents.

The part of the neighborhood I was focusing on was a Scandinavian stronghold in the early years: the house was built by a Swedish immigrant and for the first 40 years of its rental life, the house knew only immigrant families.

In the course of the research, I had occasion to read and enjoy a great book by former Northeast Portland resident and author Roy Roos, The History of Albina, which I recommend to readers of this blog.

The back of the book contains a thumbnail history of many properties in the Boise, King, Humboldt and Piedmont neighborhoods. You’ll recognize some of these buildings, particularly the ones up and down Martin Luther King Boulevard. But it’s the front part of the book—the narrative that describes how neighborhood geography has changed over time, and particularly the maps—that will haunt you. So much has been lost in these neighborhoods. Virtually all of Albina has been altered by development of Emanuel Hospital, construction of Interstate 5, and construction of the Fremont Bridge and its various ramps and fly overs. Overlay the map of old Albina on the geography of today and you can get a sense of just how much is gone.

If you are haunted by layers of history and enjoy seeking clues that link today with the past, read Roy’s book and then get out there on the ground, maps in hand, to imagine what must have been. You can find his book at Powell’s and many other booksellers locally and on the internet. Here’s a link to a neat story that ran in The Oregonian following the book’s publication.

Hat’s off to Roy for keeping these stories and places alive.

There aren’t many of these in the neighborhood, so they tend to stand out proud and clear: the Mediterranean, with its distinctive tile roof and stucco exterior, is a time traveler from a very specific period in Portland’s residential architecture history.

This home at 2506 NE Ridgewood, built in 1925 by Emil G. Peterson, is a classic example of the Mediterranean style in the Alameda neighborhood. Current resident Clayton France is underway with restoration work.

This home at 2506 NE Ridgewood, built in 1925 by Emil G. Peterson, is a classic example of the Mediterranean style in the Alameda neighborhood. Current resident Clayton France is underway with restoration work.

First beginning to appear with the housing boom of 19-teens and early 1920s, the Mediterranean style quickly became popular, with multiple grand homes built particularly in high-end Portland Heights and Willamette Heights neighborhoods, but also with more modest versions scattered through Irvington and Alameda.

While much of the surrounding housing stock of the time was clad with shingles, clapboards and the distinctive angular features associated with the Craftsman era, the Mediterranean style offered a more exotic and even romantic feel. Characteristic design elements tie to centuries-old classic materials and structures, including terra-cotta tile roofs, graceful archways, white-washed smooth stucco exteriors, and hipped-roof towers. Look for small porch-like tile-roofed entries (called loggias), and long narrow—often arched—casement windows.

All of these features conjure up romantic visions of Tuscan villas, rolling hills and established old settlements rooted in generations of storied history, which of course young Portland didn’t have a lot of in the 19-teens. But the appeal of this stylistic message, particularly here in a brand new neighborhood at the edge of a booming western city, was clear enough for some speculative home builders to give it a try.

A perfect example of the style here in Alameda is the home at 2506 NE Ridgewood, built in the spring of 1925 by local builder Emil Johnson. Johnson, and his younger brother Ernie Johnson (both Swedish immigrants, and both home builders) were busy in Alameda and Irvington during these years, but this is the only Mediterranean he built. Johnson designed and built this house, and likely took special care in its construction because it’s where he and his family lived (his daughter Eileen lived in the house all her life).

Look at the arched and roofed front entrance, the long casement windows, the terra-cotta roof tiles, the hipped-roof stair tower at the entry, and the wrought iron balcony railings: design elements that trumpet the Mediterranean-Italian connection.

Like so many aspects of American life that changed in the early 1930s, the Great Depression signaled the end to the popularity of the Mediterranean style as well. People went back to basics and the seemingly frivolous romance of the 1920s was seen as part of the problem. But this home, like several other Mediterraneans in the neighborhood, remain as a classy souvenir from the past, and a fine example of the diversity of architectural styles that make up our neighborhood.

Local service and social club has been doing good works quietly for almost 100 years

When you think about Alameda neighborhood institutions and landmarks, a few standouts come to mind: the school, the churches, the ridge, Deadman’s Hill, our particular grid of streets, the big ponderosa pine at Fremont and 29th. We all have our list.

Chances are, though, that you don’t think about—or maybe even know about—one of the longest-lived, active and engaged institutions our neighborhood has known: the Alameda Tuesday Club.

Members of the Alameda Tuesday Club gather in a local home in December 1963. Scrapbooks showing club activities are now in the collection at the Oregon Historical Society. Photo courtesy of the Metschan Family

Members of the Alameda Tuesday Club gather in a local home in December 1963. Scrapbooks showing club activities are now in the collection at the Oregon Historical Society. Photo courtesy of the Metschan Family

The ATC, as it is fondly referred to by its 36 members, is a social club with a service mission; a collection of active women from the Alameda neighborhood who are quietly carrying on a tradition that began at the dawn of the neighborhood itself. Since 1913, when the first homes were being built in the fields that are now our neighborhood, members of the club have been gathering on a regular basis in a different Alameda home each month for conversation, for learning, for tea and a meal, and to plan good works both close to home and far away.

In 1914, when a down-on-their-luck family was living rough in the 33rd Street Woods (a much wilder version of today’s Wilshire Park) and the Dad had tuberculosis, the club stepped in to provide food, coal, clothing and milk for the children.

When a well-known national suffragette came to town to advocate for a woman’s right to vote, the club boldly hosted an event with her as lead speaker.

When World War I soldiers from Portland were in the trenches in France, the ATC made and shipped bandages and other supplies overseas.

When the young neighborhood clearly needed a school, the Alameda Tuesday Club stepped up to help make the case.

You get the idea: These women are strong and know how to get things done. The list of charitable works over the years is long and generous. But they know how to have fun too: picnics, tea parties, an award-winning flower-bedecked float for the 1916 Rose Festival parade, fundraisers, costume parties.

These days, the club isn’t advocating for schools or building parade floats. But it does make generous gifts to charities, including most recently the West Women’s Shelter, Beaumont School Library, the Jefferson Dancers, the Oregon Food Bank, Friends of Children and SMART.

“When I first heard about the club, I thought it was such an anachronism,” says current president Kathie Rooney, who has been a member since 1986. “But when you are involved in charitable works and you get to know these women, the club takes on a whole different dimension. There is definitely an old fashioned social interaction. But we’re also talking about the issues of the day.”

Rooney explains that club bylaws have changed little since 1913, and still require members to live within the perimeter of the original Alameda Park Addition: from Fremont to Prescott and between NE 21st and NE 33rd. Membership in the club is by invitation only—as it has been from the beginning—and no more than 36 members are allowed. Monthly meetings rotate around the club, with a member hosting a lunch in her home on the second Tuesday of the month, nine months of the year. Some neighborhood homes have held multiple generations of ATC members and meetings.

And then there is the unwritten silver tea set rule: tradition has it that a silver tea set must be at every gathering of the club. Look back through the club scrapbooks (an amazing collection of images and notations set on black album pages now housed at the Oregon Historical Society) and you’ll see it there on a table, in the corner of a room, sometimes in use.

Terry O’Hanlon has been a member of the club since 1962 and has watched the neighborhood, and the club, change. When she joined, average club membership was a bit older than today, with most members between their early 50s and 80s (she was one of the youngest when she joined, in her 30s). Today, O’Hanlon is the eldest club member, and the youngest member is in her mid 40s. She also remembers Alameda filled with more young families and young children. Not so today, with plenty of two-parent working families.

“The pressures on professional women are different today than in my day,” she says, reflecting on the forces that have shaped the club over the years. “If you are working 40 or 50 hours a week, it’s hard to make it to an afternoon meeting like ours.”

Still, the friendship and camaraderie of the club—and its core philanthropic mission today—create a special sense of purpose that continues to fuel club meetings and activities. The tie to tradition, a respect for generations of Alameda women, and a real love for the neighborhood, distinguishes this special group.

-Doug Decker

I’ve just posted the next builder biography, this one about Harry Phillips, who built many of the homes on NE Gile Terrace and Ridgewood in the 1920s. Phillips’ story is fascinating, tragic and indicative of his times. His work, appreciated and admired today, has clearly stood the test of time.

I’ve often wondered how builders weathered the storm of the Great Depression. I know Albert Irwin did only remodeling work in the mid-1930s. Others, like William Donahue, got out of the business altogether. Harry Phillips wasn’t as fortunate.

Phillips’ sons Jerry and Roger—now in their 80s—generously agreed to be interviewed about their parents, the work of their father, and their own growing up years. I feel very fortunate to have been able to gather their story in before it would have been lost to time.

Check out the biography of Harry Phillips on The Builders page.

Do you live in a Phillips home or have any insight to share about the family? Drop me a note.

Exploring Neighborhood History With Henry, Ramona and Beezus

We’ve been re-reading some favorite books recently, and as it turns out, finding quite a few clues to the world of neighborhood history. Award winning children’s writer Beverly Cleary grew up in the neighborhood and if you read carefully, you’ll find real echoes of our past in her books.

Cleary imagined an entire universe in a few small blocks. Our favorite young residents—Ramona, Beezus, Henry, Ribsy—crisscrossed their kingdom on bikes and on foot walking to their beloved Glenwood School, delivering the evening Journal newspaper, and getting themselves into some memorable misadventures.

Ramona Rides downhill (is that Regents or maybe NE 37th?) in a drawing by Louis Darling.

Ramona Rides downhill (is that Regents or maybe NE 37th?) in a drawing by Louis Darling.

The geography of that imagined place came from author Beverly Cleary’s own experience as a child growing up here in the 1920s and 1930s. She lived in a home on Northeast 37th Avenue, and attended the school now named for her: the Beverly Cleary School Fernwood Campus. The landmarks that define Henry and Ramona’s world—the churches, schools and houses, the hills and even the vacant lots—are drawn from places Cleary frequented as a young person.

It’s possible to find clues to Cleary’s own geography—and even a sense of Alameda neighborhood life in the 1950s—by exploring Henry and Ramona’s neighborhood as it unfolds on the pages of more than a dozen of her books.

A good place to begin looking for clues is Ramona Quimby’s house, just up the street from Henry Huggins on Klickitat Street. Cleary actually tells us in one of her books that Ramona lived with her mother, father and sister Beezus in a rented house near the corner of 28th and Klickitat. I remember reading that part of the story to my daughter one night and making a mental note that I needed to go look up that address on my next walk through the neighborhood.

As many astute readers will recognize, the corner of 28th and Klickitat is actually a “T” intersection adjacent to the playground at Alameda School. The day I walked past that spot and realized it was the setting for Ramona’s fictional house (a school playground), I laughed out loud and tipped my hat to Beverly Cleary.

All readers of the series know that Henry Huggins lives with his mother, his father and his dog Ribsy in a square white house on Klickitat Street. Cleary never really tells us exactly where on Klickitat that might be. But if it’s a square white house—let’s imagine an old Portland foursquare style house with a nice porch—chances are it’s west of Ramona’s house. In Henry And the Paper Route, Cleary hints that Henry’s square white house was slightly elevated above the sidewalk with a sloping lawn the kids rolled down. This sounds indeed like a four-square, built in the 19-teens. Now all we have to look for is Henry’s red bike and the barking Ribsy.

Ramona and Henry’s Glenwood School is an obvious stand in for Fernwood School, where the young Cleary attended before moving on to Grant High School. Why didn’t she create a fictionalized role for Alameda School? We do know there was a certain rivalry between neighborhood schools.  Kids from one school sometimes looked down their noses at kids from the other. Was omitting Alameda School a diss? Probably not. Just a little too complicated to explain why kids living in the playground of one school (wink) would be going to a different school a few blocks away.

Vacant lots…now there is a commodity of the 1950s that we just don’t have any more. By the late 1950s virtually every easily buildable lot in Alameda had been developed (many of the last ones by builder Ken Birkemeier). During Cleary’s growing up years—the 1920s and 1930s—there were plenty vacant lots to be found and they surely provided a refuge for everything from baseball to clubhouses. In Cleary’s 1955 Henry And the Paper Route, Henry watches as the ladies club sets up sawhorses and planks in a nearby vacant lot for the annual fundraising rummage sale. The vacant lot was a community commodity as well as landmark. Reading more closely between the lines, was the ladies club the fictional counterpart of our own Alameda Tuesday Club? Could be.

The business district of the fictional neighborhood bears some resemblance to places we all shop and frequent today. The movie theater, dime store, Rose City Barber Shop and even the “Colossal Market” are landmarks in today’s Hollywood neighborhood. The Colossal—where Henry’s mother bought everything from vegetables to hair clippers—was probably patterned after the original Fred Meyer store at 42nd and Sandy.

Al’s Thrifty Service Station, where Ribsy steals a policeman’s lunch, is today’s 76 station at 33rd and Broadway. Kids at Glenwood School watch from their classroom windows as a new supermarket is built: today’s QFC (formerly Kienows) just south of Fernwood. All the pieces line up.

In addition to the fun of hearing about these thinly disguised places we all know from our area’s past, there’s some wonderful imagery in these books that evokes an earlier time in the neighborhood, while also being timeless:

  • Ramona and Beezus playing outside on a summer’s evening until the street lights come on, when it’s time to go in.
  • The 11-year-old Henry riding his bicycle through the neighborhood in the late afternoon and early evening, delivering the afternoon newspapers hot off the press.
  • Kids jumping in puddles and playing in rivulets of muddy water on a rainy morning’s walk to school.
  • The Fuller Brush man in trenchcoat walking door-to-door selling his wares.
  • Henry crawling on all fours through Grant Park at night with flashlight in search of nightcrawlers for fishing.

And a timeless image that could have been borrowed from this winter: Ramona  sledding down the 37th Street hill on her dad’s old sled. Now there’s a scene drawn from the author’s personal experience, just a few doors up from her own childhood home.

Which gets to what makes Beverly Cleary’s work so appealing and enduring (and even instructive, for us students of history who also like to read to our kids): she crafts a slice of universal life through the experiences of her likeable, believable characters, and all through the lens of a remembered Northeast Portland childhood.

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Since last fall, Alameda neighbors have watched with interest as the brick house at NE Dunckley and Regents has had a major overhaul. I had been particularly interested in the house after hearing (and debunking) an urban myth that it was built as a library, which I wrote about here on the blog back in January 2008.

The home was originally built in 1923 by C.O. Waller at a cost of $12,000, which was a lot of money for a house at that time, even in this neighborhood. 

As the construction project has entered the home stretch, I’ve wondered—as an amateur old house archaeologist—about what clues the owner may have found, and of course about the extent of the remodeling work. So, last week I dropped in on owner Don Sarason for a visit and a walk through the house.

The word remodeling doesn’t quite do it. Let’s stick with construction project. Here’s why:

Sarason and his contractors have virtually rebuilt the 6,000-square foot house, almost literally from the ground up.

The sun porch on the southwest side of the house, with the distinctive bank of windows, as well as the front porch area, is being rebuilt.

The brick exterior was in serious need of tuck pointing, so all of the old bricks have been removed and a fully new brick exterior is now in place.

The heating system wasn’t operating well, so crews removed the old radiators, put in a new boiler, and added radiant heat into the floor surfaces.

The plumbing system needed an upgrade: out with the galvanized and in with the PEX.

Wiring? That’s been upgraded too. Sarason added a 400 amp electrical service, and category 5 computer cable throughout to boot.

One of the most distinctive features of the house—its windows—needed help too. The originals have been sensitively replaced with all new insulated aluminum-clad wood windows. And the unique oculus window above the front door has been added.

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Don Sarason stands in the sun porch area backed by all new wood windows. It's an impressive space.

The Sarasons chose the house when the family moved from San Francisco to Portland in May 2008. The family of five—two boys and one girl—was drawn to the neighborhood because of its location and character: all the big city amenities very close to home. “When we saw this house in this neighborhood, it became clear what this ‘once wonderful’ house could become again,” said Don. The family purchased the house in May 2008 and by August 2008 had secured necessary permits for the work.

The project might be a classic case of being glad they didn’t know then what they know now. Like most remodeling jobs, it’s turned out to be more work than they expected. But with all of the system upgrades and expansion,  it’s also turned out to be more house.

Under the guidance of historic preservation architect Bill Hawkins, they have enlarged the existing dormers, added one more, and given them all a unique look that includes a graceful radius and distinctive trim that represents a combination of Craftsman and has Asian design.

In the public spaces, they’ve completely rearranged the floor plan and traffic flow on the first floor: you can now access the kitchen from the dining room. They’ve opened up the kitchen and family room area (including a spacious, barrel-ceilinged gathering space), added a direct link to the back terrace, and added more windows. Upstairs, they’ve taken what were two big, undefined spaces and crafted three bedrooms, two bathrooms, and some very nice “perching spots” to read or just look out the window. A haven for kids.

It’s basically a new house tucked into the original envelope that honors the original design. Take, for instance, the two beautiful tight-grained Douglas-fir fireplace mantles that have been carefully removed, painstakingly stripped, re-stained and put back in place. Or the ceiling cove molding, stripped clean of generations of paint and reinstalled. Or the decorative wall sconces, all cleaned up and put back in place.

Stripping the fireplace mantle on the first floor.

Stripping the fireplace mantle on the first floor.

During our walk around, I asked about what kind of clues had turned up from the past (“any old library books?” I asked with a smile). Nope. The biggest artifact was a built-in safe, which Sarason was able to open (thanks to finding the combination scrawled conveniently nearby). Nothing inside. And not too big a surprise…thinking back to the era of their construction and the crumbling banking system of the Great Depression, other Alameda homes had safes for the owners to keep a close eye on their precious assets.

During the construction process, several people who have lived in the house over the years dropped by, providing great stories about the home’s earlier years.

Sarason says the target for completion is the end of this month. The work is clearly wrapping up: the construction fences have come down and now it’s time for the final details.

And he’s proud to show off what has become a labor of love.

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